I began my acting career as a child in Poughkeepsie, NY. After high school, I attended several universities. I received an AS in Performing Arts from SUNY Dutchess and a BA in Theatre Performance from Western Connecticut State University. My primary focus within the theatre is contemporary plays and the message of change that theatre can
I began my acting career as a child in Poughkeepsie, NY. After high school, I attended several universities. I received an AS in Performing Arts from SUNY Dutchess and a BA in Theatre Performance from Western Connecticut State University. My primary focus within the theatre is contemporary plays and the message of change that theatre can enforce and inform. Some of my favorite playwrights include Lynn Nottage, Clare Barron, and Paula Vogel.
I have trained in several acting techniques, including Uta Hagan, Suzuki Method, Viewpoints, and the Meisner Technique, taught by Broadway alum John Hickok. I have also taken a summer intensive at the Stella Adler Institute, where I learned under Ron Burrus’ apprentice, Patrick Quagliano. I have studied with professionals such as Tony-nom
I have trained in several acting techniques, including Uta Hagan, Suzuki Method, Viewpoints, and the Meisner Technique, taught by Broadway alum John Hickok. I have also taken a summer intensive at the Stella Adler Institute, where I learned under Ron Burrus’ apprentice, Patrick Quagliano. I have studied with professionals such as Tony-nominated Liz Parkinson and award-winning director Chris Bolan. On-campus, I played leading roles such as Judge Turpin in Sweeney Todd, Lloyd Dallas in Noises Off, and Claude in Hair–-to which I received a Kennedy Center Richard Maltby Award nomination.
I aim to build an inclusive community of theatre practitioners with each project I am involved in. I have plans to get intimacy training certification and fight choreography training to have the ability to facilitate the needs and possible triggers of those around me. When our society is as aware of each other as we have ever been, I believe knowing how to communicate productively is essential.
Flesh Failures from Hair
Streets of Dublin from A Man of No Importance
Trip’s monologue from Other Desert Cities by Jon Robin Baitz
Edgar's monologue from King Lear
Do you have more questions? Are you interested in collaborating on a project? Send me a message, and I will get back to you as soon as I can.
Copyright © 2023 Tom O'Leary Actor - All Rights Reserved.
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